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Radio broadcast director Nester prepares for Sunday’s game | News

It’s a rare occasion when Derek Nester gets to watch an American Football Conference game at Arrowhead Stadium, even though he’s studio director of radio broadcasts for the Chiefs Radio Network.

Nester, a 2000 Valley Heights graduate who lives and works in the Kansas City area, will oversee all studio operations on Sunday’s pregame, halftime and postgame broadcasts of the AFC championship game between the Cincinnati Bengals and the Chiefs.


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How Activists Get Elon Musk’s Starlink to Iran’s Protesters

Somehow, the satellite dish arrived in its original packaging, a gray cardboard box clearly labeled “STARLINK,” handed over in broad daylight in the middle of Tehran. “As if Elon Musk himself is delivering to me,” Reza, the young Iranian who accepted the package, recalls with a laugh. He took the delivery not from Musk, who owns the satellite internet company, but from a visibly nervous and irate professional smuggler. The man wanted the $300 he’d been promised, and an explanation for the device he’d just risked his life sneaking into the Islamic Republic.

“They kept me like five hours at the border for that,” the smuggler said, gesturing at the box.

What the Iranian border guards had finally, and foolishly, allowed into the country may well be the means to sustain the rebellion there. Now in its fifth month, the slow-motion uprising depends first on the zeal of protesters—but at least as much on being able to show the world what is happening.

“The most important thing is to have the protests on the internet—it’s crucial,” says Reza, who asked not to be further identified.

Iran’s authoritarian government not only controls the internet in the country, but also uses that control as a weapon—slowing service to a crawl when protesters go into the streets, and shutting it down altogether when the decision is made to slaughter them. The last time spontaneous protests erupted across Iran—over a fuel-price hike in November 2019—the regime responded by cutting off all external web portals and opening fire: all told, more than 1,500 people were reported killed.

So when nationwide protests erupted in September—sparked by the death of 22-year-old Mahsa Amini, who had been arrested by the loathed “morality police”—human-rights activists outside the country were primed to act. Within days, elaborate efforts got under way to provide a nationwide but leaderless movement with an alternate internet. Operating largely underground and on private funds, the most ambitious of the various efforts spans continents, communicates on encrypted messaging platforms, and involves about a dozen activists, five of whom spoke to TIME.

Their secret campaign, they say, was made possible by two public announcements: on Sept. 23, after protests had erupted in more than 80 cities, the Biden Administration cleared the way for U.S. communications companies to operate in Iran while keeping other sanctions in place. Later the same day, Musk announced, “Starlink is now activated in Iran.” That was the good news. But his message continued: “It requires the use of terminals in-country, which I suspect the government will not support, but if anyone can get terminals into Iran, they will work.”

In a way, the effort to get the terminals there was already under way. “We had started to think about it in January 2021, with a feasibility study,” says one organizer, who asked not to be named for security reasons. (The Iranian regime, which since September has arrested an estimated 18,000 protesters and killed more than 500 inside the country, also has a track record of abducting and killing critics overseas.) Karim Sadjadpour, a fellow at the Washington, D.C.–based Carnegie Endowment think tank, has functioned as the public face of the effort. Sadjadpour was among those who solicited Musk’s cooperation and tweeted his approval; he stays in touch with activists, financiers, and senior U.S. officials, as well as senior officials in the countries around Iran, a nominal theocracy that functions as a security and intelligence state—and now faces an existential challenge.

Led by young women, the overwhelmingly nonviolent movement that has swept Iran found a slogan in “Woman, life, freedom” and an anthem in “Because of,” a ballad that took its lyrics from tweets listing the ways life in Iran had become intolerable. Like word of the protests, the song spread across the country online. “For those living under dictatorships like the Islamic Republic,” Sadjadpour says, “unfettered internet access is like oxygen.”

A Starlink dish in Tehran, with the iconic Milad Tower in the background photographed in early November. Activists inside Iran looked for photo sites that could communicate that the dishes were in fact there. (Courtesy)

A Starlink dish in Tehran, with the iconic Milad Tower in the background photographed in early November. Activists inside Iran looked for photo sites that could communicate that the dishes were in fact there.

Courtesy

Here’s how Starlink works: Several thousand small satellites in low orbit around the globe beam broadband internet down to earth. The signal can be picked up only by a Starlink dish, which works only with a subscription that runs $110 a month. Musk created the pioneering service as a blend of commerce and altruism, making the net accessible in places either remote, under siege, or both. Though other companies have explored the model, Starlink is essentially the only game in town for that need—and, at a time when its founder is more likely to be associated with the fight over “free speech” on social media platforms, the company has played a significant role in preserving open information in some of the places it is most at risk. In Ukraine, Starlink effectively replaced the internet that was taken down during the Russian invasion, with the U.S. government and its allies contributing thousands of Starlink dishes. Musk’s privately owned SpaceX, which operates Starlink, contributed 3,667 of the dishes, and Musk waived the subscription fee.

The same largesse has not been extended in Iran.

“Each one is $700 … so 100 devices is almost $70,000,” notes an activist involved in organizing the largest smuggling effort, which has had to seek out monetary contributions from individuals. “And then with shipping and everything,” he says, referring to the process of smuggling them into the country, “it can easily come to $200,000.”

And 100 devices is not nearly enough to create an alternate internet. The idea is not to use the dishes the way the French Resistance, for example, used clandestine radio transmitters that were few and far between during World War II. Organizers estimate that a shadow web could be effective in Iran with about 5,000 Starlink dishes.

“The main goal is not really equipping all Iranians with satellites,” one organizer says, “but basically sending a few thousand devices and getting them to the right people, so an internet shutdown is not a problem.”

But how to send them? Direct shipping is hardly an option. Western package services do not serve Iran, and Iran’s national postal service is notorious for its intrusive inspections. (Western magazines sometimes arrive with images of female models defaced.) “The biggest challenge is the logistics,” says an activist who traveled to western Asia to arrange passage of the receivers.

Fortunately, the region has a rich culture of smuggling. Iran shares a land border with seven countries and has been a trading crossroads for millennia. Much of the world’s opium passes through Iran from Afghanistan to Turkey. Beer and liquor, strictly forbidden in the Islamic Republic, are nonetheless readily available, often by way of Armenia. So porous is the border between the adjoining ethnic Kurdish sections of Iran and Iraq that a motorist on the Iraqi side can choose between Iranian and Iraqi gasoline, sold in translucent jugs because one is noticeably darker.

All in all, a promising geography.

“So far, I’d say we have six separate channels that we are trying,” one organizer tells TIME. “We are not just relying on one channel. We try to diversify and see if we can get the job done.”

Some routes are more treacherous than others. It’s an open secret in Iran that regime insiders are heavily involved in smuggling. That includes elements of an Islamic Revolutionary Guards Corps (IRGC) that has taken over whole swathes of the nation’s economy. “A lot of what I do is vetting,” said the activist tasked with finding partners in countries neighboring Iran. Another organizer said the search was particularly fraught in Dubai, the United Arab Emirates port city popular among “comrade smugglers.”

The IRGC also poses a danger inside Iran, where it has joined assaults on protests first left to riot police and paramilitaries. In the Kurdish region from which Amini hailed, mechanized divisions are deployed. “There are a lot of checkpoints at Kurdistan and Kermanshah, and they are specifically looking for guns and Starlink,” one organizer says. “But there are different routes. They can’t stop every car. So far we’ve been lucky that no one has been harmed in this operation.”

The dangers figure in whom the activists now ask to move the contraband. The professional smuggler who brought Reza the packaged dish was on a test run, organizers said, and not used again. The goal is to use only people who are committed to the mission, trustworthy, and willing to accept the risk.

“Having unauthorized communications devices could basically make you a spy,” says one activist, who, while imprisoned in Tehran’s notorious Evin prison, met a jailed journalist whose employer had issued him a satellite phone. What’s standard equipment for a foreign correspondent had brought a charge of espionage in Iran.

“It’s simply life and death,” says one activist. “You get caught, there’s no middle ground. Maybe they throw you from the 20th floor instead of the 40th floor, that’s the middle ground. Like, ‘moderate beheading.’”

A scene during a protest in Tehran for Mahsa Amini on Sept. 22, 2022. (IranWire/Middle East Images/Redux)

A scene during a protest in Tehran for Mahsa Amini on Sept. 22, 2022.

IranWire/Middle East Images/Redux

Once inside Iran, the dishes open a new front in a dangerous battlefield.

It was no surprise that after Amini’s death, the first software the regime took down were gaming platforms. “That was because they couldn’t monitor the chat forums and communications between players,” says one activist. “The chat rooms are superactive. They had worked together, they trusted each other … coming out to the streets, strategizing, coming up with new ideas. Gaming culture has a role to play, especially among younger people.”

In authoritarian countries, mobile phones double as listening devices. The spyware built into Iran’s cell infrastructure has been well documented by the Intercept. And though VPNs and encrypted messaging platforms like Signal may circumvent the system, protesters rightly regard their phones as loaded guns.

Reza says his most terrifying moment came at a demonstration he was leading in November. An undercover agent wrapped him in a bear hug and pulled him toward a waiting car.

“Unfortunately, I had my phone with me.” He thought of a friend who had recently been sentenced to five years in prison after authorities opened his phone and found messages “cursing the regime” on an encrypted chat with his father. Reza managed to avoid a similar fate by squirming away, but a month later was still mortified: “If they capture my phone, the information on it …”

Starlink brings its own risks. When the network arrived in Ukraine, where it’s heavily used by the military, experts worried that Russian forces would track the signal and direct bombs to the terminal locations, as they have done elsewhere with satellite phone signals. But even after improvements to the software, vulnerabilities likely remain. “Any novel new technology has the promise of moving faster than the regime trying to track it down,” notes John Scott-Railton, a senior researcher at the University of Toronto’s Citizen Lab project. “At the same time, novel technologies come with risks. Some we know, some we speculate on, some we won’t know until the risks are translated to people getting arrested.” He, like others, declined to be more specific for fear of alerting Iranian authorities.

That Iranian American entrepreneur personally purchased 100 Starlink dishes, picking them up at a SpaceX facility. “We reboxed them to kind of make it look like something else. And then it gets hidden in other cargo,” he says. The effort is separate from the smuggling campaign organized by the network of activists. “We have three different routes,” says the entrepreneur. “Even if there were nine [dishes], if they’re in the right hands, then a lot of information can get sent to the world from within the country.”

Public opinion is an important weapon in the uprising. But with foreign journalists barred by the Iranian government, and domestic reporters jailed, ordinary people must tell the story. “Citizen journalism is a big thing,” says Saman Arbabi, who posts cell-phone videos from the protests to his 700,000 Instagram followers. Even with the shaky internet, Arbabi, an Iranian American who lives in New York, says he receives hundreds of videos from inside Iran on a slow day. A day when a protester is hanged, as four have been so far, will bring thousands.

“They understand that they are the people who are communicating with the outside world, and they’re very important,” he says of the senders. “It’s very significant, to get reaction from governments and also powerful and influential people in the West.”

“If Iran gets free internet, uncensored internet,” Arbabi says, “then the regime is in big trouble.”

At Amnesty International, Matt Mahmoudi documented the surge in deaths during the internet blackout, and helped develop an online tool to verify footage that surfaces on social media. He described a free internet as “a channel of counter-power, as it were, where protesters and organizers can speak to each other, but also speak to the world about what’s happening in Iran.”

The 100 Starlink dishes that the unnamed Iranian-American entrepreneur bought, seen in Hawthorne, Calif. (Courtesy)

The 100 Starlink dishes that the unnamed Iranian-American entrepreneur bought, seen in Hawthorne, Calif.

Courtesy

Since Russia’s invasion nearly a year ago, Ukraine has restored much of its internet with 22,000 Starlink dishes, with 10,000 more on the way, the Kyiv government says. Reza says Iranians are hoping for the same. “There’s a rumor that like in Ukraine, it would be free, you don’t have to pay to activate it,” he says. But when he powered up his dish, he learned “it wasn’t true.” (His subscription is paid overseas, by the activist network.)

Asked by TIME if the company would lift the fees in Iran or donate dishes, a SpaceX spokesman declined comment. The spokesman also demurred on the question of whether the company is working with the U.S. government to bring Starlink to Iran.

The same question, put to the National Security Council, produced four pages of statements about the Biden Administration’s support for an uncensored internet for the Iranian protesters. “But,” said a statement attributable to a senior State Department official, “we’re not going to get into the details of what tools or partners we may or may not be working with to advance that goal.”

This dismays the activists—who state flatly that the U.S. government has offered only rhetorical support—and advocates for American leadership in free communication. In the wake of the Arab Spring, which promised to replace despots with democracies, the U.S. partnered with Silicon Valley to set up the Open Technology Fund, which funds practical methods to promote access to the internet, and battle censorship in the name of human rights.

“A free Iran, both in terms of national security and many other ways, is in line with the free world,” says Ahmad Ahmadian, who runs a West Coast technology nonprofit that develops tools resistant to internet shutdowns. “It’s very obvious: Putin and China? Or the West? The Iranian people are very clear about who they want to be allied with. They’re chanting in the streets.”

Every previous technology banned by the Islamic Republic—from satellite television to the iPhone—has eventually become readily available inside its borders. This leads some activists to believe the fastest way to get Starlink dishes into Iran is by making them available in bordering countries. “Starlink terminals and other devices that circumvent governmental repression and censorship will invariably find their way into Iran because of the enormous demand,” Sadjadpour says.

Reza says that when a dish arrived without a tripod, he went to a local vendor who installs satellite TV, long illegal in Iran. The guy sold him a stand, and Reza set up the Starlink dish on the roof of his apartment building. It looks different enough from other satellite dishes that he worried it could be identified from the sky. So he asked his mother for one of her chadors—the billowing black cloaks favored by devoutly religious women, of which his mother is one.

She chooses hijab, her son explained, but opposes a regime that thinks it can make the choice for her or anyone else. She gave one to Reza, who draped the fabric over the Starlink receiving dish to conceal it. It still worked fine.

“I’m not a professional. I’m not, like, an FBI agent, CIA agent. I don’t know how to behave or respond in these situations. For sure I’m worried and I’m scared,” Reza says. “But when I see someone taking someone’s rights, I cannot be silent. I don’t see any value in this life without standing with people, standing up against the cruelty of this regime.”

More Must-Reads From TIME


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Chiney K Pop Girl Named “Best Jamaican Radio or Online Personality” for 2022

The 2022 Best of Jamaica results show, the annual event organized by Jamaicans.com, awarded the title of “Best Jamaican Radio/Online Personality” for 2022 to Chiney K Pop Girl. She was chosen via a survey conducted by Jamaicans.com, the leading media platform for Jamaican and Caribbean news, travel, food, and culture. Her win was announced on the 2022 Best of Jamaica Awards Show hosted by Jody Ann Gray and Xavier Murphy.

Chiney K Pop Girl is the professional name of Kerry Ann Collings, who was born in Kingston and attended Wolmer’s Girls’ School until she was 15 years of age. Chiney K Pop Girl was born with a creative urge, and she cites her years at Wolmer’s High School as inspiring her love for the arts. She moved to New Jersey to complete her secondary education and graduated from William Patterson University with a degree in Media Studies. After enjoying some success on the radio, she enrolled at California State University, Northridge, in 2015, and focused her interests on cinematography and film production.

While she always wanted a career in the entertainment industry, the application process frustrated her, but the experience of rejection in the transition from academics to the professional world inspired her to buy a camera and document her daily activity. In essence, and so she created her own space in which to display her interests, a move that resulted in her first web series, “On My Mind,” which was an instant hit on YouTube. During the COVID-19 lockdown, the media personality’s production efforts slowed, but she used the time to create content on Instagram and TikTok, ultimately gaining over 300,000 followers who watched her comedy skits and vlogs.

Jamaican-Born Social Media Influencer Chiney K

In 2017, she reinvented herself and become Chiney K Pop Girl and turned her attention completely to social media, helping Caribbean brands and local celebrities improve their sales and visibility. She credits Alan Mruvka, the American entrepreneur and co-founder of Movietime, as her mentor who taught her about the entertainment industry.

She is also a successful entrepreneur with her own line of organic, natural beauty products. She started Joli Faire Organics in 2018 after taking a trip to India where she intended to launch the “On My Mind” series. However, she became interested in the natural hair care products used by locals in Mumbai. She is now the head of Joli Faire Beauty and the Joli Faire Media Group, as well as Joli Faire Hair. She lives in New Jersey and co-hosts “Fire It Up” on Fyah 105.

She would like to be an inspiration to young people and encourage them to pursue their dreams, regardless of whether they follow traditional paths to their goals or not.

Photo – Chiney K Pop Girl 




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Research: Broadcast radio still attracts US drivers

According to findings from Hub Entertainment Research, while digital options are increasingly important, ‘traditional’ media such as broadcast radio still play important roles for those on-the-go.

The study, Media on the Move 2022, details what media devices Americans use while on the move: in their cars, on mass transit, or in the air.

Key highlights of the study:

1) Digital media in cars and personal vehicles is widespread: Aside from over-the-air (OTA) and satellite radio, digital content makes up three of the top five media sources used by drivers: paid streaming music services, free streaming music services, and personal music downloaded onto smartphones or tablets. Lesser used in-vehicle digital media include podcasts and audiobooks.

2) Mass media on mass transit: Users of mass transit (buses, trains, subways, ferries) use a number of digital media options along with OTA radio. Similar to cars, personal music and free/pay streaming music services are in the top five used on mass transit – but also seen are free streaming video services.

3) OTA radio is far from dead – at least in cars: Over-the-air radio may not get much respect in today’s digital world, but it is still a force to be reckoned with in consumers’ cars/vehicles. Almost two in three drivers (63 per cent) say they use OTA radio “every” or “most” times they drive, with one in six listening to an OTA simulcast via streaming. And, an OTA radio is the media device most likely to influence choice of a new car: 39 per cent say they’re more likely to buy a car if it has an OTA radio, compared with runners-up satellite radio (31 per cent) and Apple CarPlay (27 per cent) – the latter echoing consumers desire for aggregating media services overall.

4) Audio content varies by transport mode: Music and talk radio (sports, politics, or other) are more likely to be consumed when someone is driving. Audiobooks and podcasts – perhaps because they command more attention – are somewhat more likely to be used by those riding mass transit. News and weather are equally likely to be used in both scenarios.

5) Up in the air: On airliners, the medium most often used are books (37 per cent of flyers use them “every”/”most” times they fly), with personal music collections ranking #2 (33 per cent). This reflects the often-prohibitive cost of in-air WiFi, perhaps along with a difference in traveller mindset for long-distance, often vacation-related, travel.

“Traditional radio is surprisingly resilient in the car, where it has been king for many years,” said David Tice, senior consultant to Hub and author of the study. “But we see digital media – particularly streaming music and audio services – have made great in-roads into the media habits of commuters and travellers, which is likely to continue as in-car integration and access during other travel modes becomes simpler and cheaper.”

 


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Chiney K Pop Girl Named “Best Jamaican Radio or Online Personality” for 2022

The 2022 Best of Jamaica results show, the annual event organized by Jamaicans.com, awarded the title of “Best Jamaican Radio/Online Personality” for 2022 to Chiney K Pop Girl. She was chosen via a survey conducted by Jamaicans.com, the leading media platform for Jamaican and Caribbean news, travel, food, and culture. Her win was announced on the 2022 Best of Jamaica Awards Show hosted by Jody Ann Gray and Xavier Murphy.

Chiney K Pop Girl is the professional name of Kerry Ann Collings, who was born in Kingston and attended Wolmer’s Girls’ School until she was 15 years of age. Chiney K Pop Girl was born with a creative urge, and she cites her years at Wolmer’s High School as inspiring her love for the arts. She moved to New Jersey to complete her secondary education and graduated from William Patterson University with a degree in Media Studies. After enjoying some success on the radio, she enrolled at California State University, Northridge, in 2015, and focused her interests on cinematography and film production.

While she always wanted a career in the entertainment industry, the application process frustrated her, but the experience of rejection in the transition from academics to the professional world inspired her to buy a camera and document her daily activity. In essence, and so she created her own space in which to display her interests, a move that resulted in her first web series, “On My Mind,” which was an instant hit on YouTube. During the COVID-19 lockdown, the media personality’s production efforts slowed, but she used the time to create content on Instagram and TikTok, ultimately gaining over 300,000 followers who watched her comedy skits and vlogs.

Jamaican-Born Social Media Influencer Chiney K

In 2017, she reinvented herself and become Chiney K Pop Girl and turned her attention completely to social media, helping Caribbean brands and local celebrities improve their sales and visibility. She credits Alan Mruvka, the American entrepreneur and co-founder of Movietime, as her mentor who taught her about the entertainment industry.

She is also a successful entrepreneur with her own line of organic, natural beauty products. She started Joli Faire Organics in 2018 after taking a trip to India where she intended to launch the “On My Mind” series. However, she became interested in the natural hair care products used by locals in Mumbai. She is now the head of Joli Faire Beauty and the Joli Faire Media Group, as well as Joli Faire Hair. She lives in New Jersey and co-hosts “Fire It Up” on Fyah 105.

She would like to be an inspiration to young people and encourage them to pursue their dreams, regardless of whether they follow traditional paths to their goals or not.

Photo – Chiney K Pop Girl 




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Research: Broadcast radio still attracts US drivers

According to findings from Hub Entertainment Research, while digital options are increasingly important, ‘traditional’ media such as broadcast radio still play important roles for those on-the-go.

The study, Media on the Move 2022, details what media devices Americans use while on the move: in their cars, on mass transit, or in the air.

Key highlights of the study:

1) Digital media in cars and personal vehicles is widespread: Aside from over-the-air (OTA) and satellite radio, digital content makes up three of the top five media sources used by drivers: paid streaming music services, free streaming music services, and personal music downloaded onto smartphones or tablets. Lesser used in-vehicle digital media include podcasts and audiobooks.

2) Mass media on mass transit: Users of mass transit (buses, trains, subways, ferries) use a number of digital media options along with OTA radio. Similar to cars, personal music and free/pay streaming music services are in the top five used on mass transit – but also seen are free streaming video services.

3) OTA radio is far from dead – at least in cars: Over-the-air radio may not get much respect in today’s digital world, but it is still a force to be reckoned with in consumers’ cars/vehicles. Almost two in three drivers (63 per cent) say they use OTA radio “every” or “most” times they drive, with one in six listening to an OTA simulcast via streaming. And, an OTA radio is the media device most likely to influence choice of a new car: 39 per cent say they’re more likely to buy a car if it has an OTA radio, compared with runners-up satellite radio (31 per cent) and Apple CarPlay (27 per cent) – the latter echoing consumers desire for aggregating media services overall.

4) Audio content varies by transport mode: Music and talk radio (sports, politics, or other) are more likely to be consumed when someone is driving. Audiobooks and podcasts – perhaps because they command more attention – are somewhat more likely to be used by those riding mass transit. News and weather are equally likely to be used in both scenarios.

5) Up in the air: On airliners, the medium most often used are books (37 per cent of flyers use them “every”/”most” times they fly), with personal music collections ranking #2 (33 per cent). This reflects the often-prohibitive cost of in-air WiFi, perhaps along with a difference in traveller mindset for long-distance, often vacation-related, travel.

“Traditional radio is surprisingly resilient in the car, where it has been king for many years,” said David Tice, senior consultant to Hub and author of the study. “But we see digital media – particularly streaming music and audio services – have made great in-roads into the media habits of commuters and travellers, which is likely to continue as in-car integration and access during other travel modes becomes simpler and cheaper.”

 


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Radio Bulgaria marks BNR’s 88th birthday with three nominations for the media’s Sirak Skitnik‎ award

Every day is special, but January 25 is especially solemn for all of us, the employees of the BNR – we celebrate 88 years since the establishment of the Bulgarian National Radio. By tradition since 2001, the culmination of the holiday is the presentation of the annual awards of the BNR and the announcement of the winner of the Sirak Skitnik Grand Prize named after the first director of the media – Panayot Todorov Hriston known by his artistic alias Sirak Skitnik .

The solemn ceremony will be held tonight in Studio 1 of the BNR and will be broadcast live on the bnr.bg website and on the air of the national Horizon channel. Among the 24 nominees – journalists, broadcasts, radio programmes, musicians and conductors, this year’s award winners will be determined in three categories: radio journalism, radio broadcast/radio project/multimedia project/music project and the Sirak Skitnik Grand Prize bestowed for significant contribution to the development of the Bulgarian National Radio.

It is not without pride that we recall that it was Radio Bulgaria* that was last year’s winner of the Sirak Skitnik Grand Prize – a statuette of Vezhdi Rashidov. The recognition was given to the daily foreign language podcast “Bulgaria Today” in 9 languages, which was restored in 2021. The programme in English, German, Russian, French, Spanish, Turkish, Greek, Serbian and Albanian is a unique product in the digital space with the variety of news, topics and Bulgarian music that represent Bulgaria as it is today.

Krasimir Martinov upon receiving the award in 2022, Director General Milen Mitev (right)

“These podcasts can be heard from the polar base of our Antarctic explorers to the beaches of Cuba,” said the editor-in-chief of Radio Bulgaria, Krasimir Martinov, upon receiving the statuette. After professing pride in the stoicism of his colleagues, Martinov concluded by saying, “We’re moving forward!” And we did.

Over the past year, Radio Bulgaria has continued to develop and enrich itself.

We have acquired a new member in our media family – a Romanian language section and we have restored the audio programme in Bulgarian, which is available on our webpage every weekday at 7pm. Our efforts did not go unnoticed and the Radio Bulgaria team again received a nomination for its audio programme, the podcast “Bulgaria Today”, and for the coverage of the parliamentary elections in 2022 among Bulgarians abroad. With which we also express our gratitude to you, our listeners and interlocutors from all over the world, because once again we proved that together we are a good team called “Bulgaria”.

This year, the team of the Russian editorial team of Radio Bulgaria deservedly received a nomination for the Sirak Skitnik Grand Prize. 

Vilhelm Baltadjian, Snejana Nikiforova, Desislava Semkovska, Elena Paskalova

In the extremely difficult and unpredictable months of the war in Ukraine, Desislava Semkovska, Snezhana Nikiforova, Elena Paskalova, Maria Atanasova and Vilhelm Baltadzhian adhered to the main principle in their work – the most accurate, complete and fact-based content. They were available for help with translation, commentary or history of their colleagues from the various programmes of the BNR and managed to transmit verified information from both sides of the war.

“The nomination is a recognition that we collectively deserved, trying to inform our users as detailed, timely and at a high linguistic level as possible,” says Vilhelm Baltadzhian, the “freshest addition” to the team of the Russian edition -“only” for 22 years now.

With a sense of humor in the serious workday, the official start of the Russian-language programmes on Radio Bulgaria began on April 1, 1995. Today, the Russian-language page of Radio Bulgaria is one of the most read on our website and the Russian-language podcast – one of the most listened-to audio products. “Our users are quite broad-minded and interested in a wide variety of topics and areas,” Vili explains.

“After all, we are “Radio Bulgaria” and our main task is to spread information about what is happening in Bulgaria, what a person, a foreigner, can expect when arriving here for a visit. We aim to be as detailed and comprehensive as possible on topics about everything that happens. And it attracts the attention of people from all over the world. ‎The language extends the scope of this information beyond specific ‎state boundaries.”‎

Our colleague, Radio Bulgaria’s music editor Albena Bezovska, has been nominated in the Radio Journalism category.

Albena Bezovska

For the past three decades, Albena’s professional path has been an integral part of Radio Bulgaria. A professional musician with a remarkable sense of music that translates the Bulgarian soul into all languages and continents. And the unique thing in the work of Radio Bulgaria, according to Albena, is the collective spirit and mutual help based on which we can offer the best we can to our audience. The nomination is an extremely emotional moment for her:

“First of all, it is extremely nice to receive recognition from your colleagues, because these are the people you have worked with every day, for years, and you know each other very well. I often made it difficult for my colleagues who translate the materials with musical terms or with hard-to-translate Bulgarian customs, rituals, names of ritual objects, but despite the difficulties, we have learned a lot from each other and it has always been very rewarding”.

And her wish to her professional family is simple and from the heart: ‎

“I would like to wish a lot of courage to all colleagues, because we have gone through many trials and are going beyond the creative nature of work. I want to wish them not to lose their taste, their joy of work, regardless of the sleepless nights and the numerous sacrifices that each of us has had to make and has to make in our personal life or in our personal time. And above all – let us all be healthy!”‎

The year 2023 marks the 140th anniversary of Sirak ‎Skitnik’s birth and the 80th anniversary of his death. The Bulgarian National Radio will mark the anniversaries with a series of initiatives and events, the first of which is the Sirak Skitnik Grand Prize award ceremony this evening. ‎

Read more about the history of Radio Bulgaria HERE.

*In its original form, Radio Bulgaria came to life on February 16, 1936. Since 1992, the BNR’s broadcasts for audiences abroad have been called “Radio Bulgaria”, and since May 2004, their team also maintains the multilingual page of BNR on the Internet. Today, Radio Bulgaria provides up-to-date news in text, pictures, and since last year also in sound, about the social and political life here, work and business opportunities, tourist trips and vacations, significant public, cultural and sports events and news from Bulgaria, of interest to a foreign audience, part of which are foreign citizens living in Bulgaria or visiting the country. Among the biggest fans of Radio Bulgaria are the Bulgarian communities abroad.‎




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Chiney K Pop Girl Named “Best Jamaican Radio or Online Personality” for 2022

The 2022 Best of Jamaica results show, the annual event organized by Jamaicans.com, awarded the title of “Best Jamaican Radio/Online Personality” for 2022 to Chiney K Pop Girl. She was chosen via a survey conducted by Jamaicans.com, the leading media platform for Jamaican and Caribbean news, travel, food, and culture. Her win was announced on the 2022 Best of Jamaica Awards Show hosted by Jody Ann Gray and Xavier Murphy.

Chiney K Pop Girl is the professional name of Kerry Ann Collings, who was born in Kingston and attended Wolmer’s Girls’ School until she was 15 years of age. Chiney K Pop Girl was born with a creative urge, and she cites her years at Wolmer’s High School as inspiring her love for the arts. She moved to New Jersey to complete her secondary education and graduated from William Patterson University with a degree in Media Studies. After enjoying some success on the radio, she enrolled at California State University, Northridge, in 2015, and focused her interests on cinematography and film production.

While she always wanted a career in the entertainment industry, the application process frustrated her, but the experience of rejection in the transition from academics to the professional world inspired her to buy a camera and document her daily activity. In essence, and so she created her own space in which to display her interests, a move that resulted in her first web series, “On My Mind,” which was an instant hit on YouTube. During the COVID-19 lockdown, the media personality’s production efforts slowed, but she used the time to create content on Instagram and TikTok, ultimately gaining over 300,000 followers who watched her comedy skits and vlogs.

Jamaican-Born Social Media Influencer Chiney K

In 2017, she reinvented herself and become Chiney K Pop Girl and turned her attention completely to social media, helping Caribbean brands and local celebrities improve their sales and visibility. She credits Alan Mruvka, the American entrepreneur and co-founder of Movietime, as her mentor who taught her about the entertainment industry.

She is also a successful entrepreneur with her own line of organic, natural beauty products. She started Joli Faire Organics in 2018 after taking a trip to India where she intended to launch the “On My Mind” series. However, she became interested in the natural hair care products used by locals in Mumbai. She is now the head of Joli Faire Beauty and the Joli Faire Media Group, as well as Joli Faire Hair. She lives in New Jersey and co-hosts “Fire It Up” on Fyah 105.

She would like to be an inspiration to young people and encourage them to pursue their dreams, regardless of whether they follow traditional paths to their goals or not.

Photo – Chiney K Pop Girl 




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US-car-radio.png

Research: Broadcast radio still attracts US drivers

According to findings from Hub Entertainment Research, while digital options are increasingly important, ‘traditional’ media such as broadcast radio still play important roles for those on-the-go.

The study, Media on the Move 2022, details what media devices Americans use while on the move: in their cars, on mass transit, or in the air.

Key highlights of the study:

1) Digital media in cars and personal vehicles is widespread: Aside from over-the-air (OTA) and satellite radio, digital content makes up three of the top five media sources used by drivers: paid streaming music services, free streaming music services, and personal music downloaded onto smartphones or tablets. Lesser used in-vehicle digital media include podcasts and audiobooks.

2) Mass media on mass transit: Users of mass transit (buses, trains, subways, ferries) use a number of digital media options along with OTA radio. Similar to cars, personal music and free/pay streaming music services are in the top five used on mass transit – but also seen are free streaming video services.

3) OTA radio is far from dead – at least in cars: Over-the-air radio may not get much respect in today’s digital world, but it is still a force to be reckoned with in consumers’ cars/vehicles. Almost two in three drivers (63 per cent) say they use OTA radio “every” or “most” times they drive, with one in six listening to an OTA simulcast via streaming. And, an OTA radio is the media device most likely to influence choice of a new car: 39 per cent say they’re more likely to buy a car if it has an OTA radio, compared with runners-up satellite radio (31 per cent) and Apple CarPlay (27 per cent) – the latter echoing consumers desire for aggregating media services overall.

4) Audio content varies by transport mode: Music and talk radio (sports, politics, or other) are more likely to be consumed when someone is driving. Audiobooks and podcasts – perhaps because they command more attention – are somewhat more likely to be used by those riding mass transit. News and weather are equally likely to be used in both scenarios.

5) Up in the air: On airliners, the medium most often used are books (37 per cent of flyers use them “every”/”most” times they fly), with personal music collections ranking #2 (33 per cent). This reflects the often-prohibitive cost of in-air WiFi, perhaps along with a difference in traveller mindset for long-distance, often vacation-related, travel.

“Traditional radio is surprisingly resilient in the car, where it has been king for many years,” said David Tice, senior consultant to Hub and author of the study. “But we see digital media – particularly streaming music and audio services – have made great in-roads into the media habits of commuters and travellers, which is likely to continue as in-car integration and access during other travel modes becomes simpler and cheaper.”

 


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Vilhelm Baltadjian, Snejana Nikiforova, Desislava Semkovska, Elena Paskalova

Radio Bulgaria welcomes the 88th birthday of the BNR with three nominations for its “Sirak Skitnik”‎ award

Every day is special, but January 25 is especially solemn for all of us, the employees of the BNR – we celebrate 88 years since the establishment of the Bulgarian National Radio. By tradition since 2001, the culmination of the holiday is the presentation of the annual awards of the BNR and the announcement of the winner of the Grand Prize “Sirak Skitnik”, named after the first director of the media – Panayot Todorov Hristov, known by his pseudonym Sirak Skitnik .

The solemn ceremony will be held tonight in Studio 1 of the BNR and will be broadcast live on the bnr.bg website. and on the air of the national Horizon channel. Among the 24 nominees – journalists, broadcasts, radio programmes, musicians and conductors, this year’s award winners will be determined in three categories: radio journalism, radio broadcast/radio project/multimedia project/music project and the Grand Prize Sirak Skitnik” for a significant contribution to the development of the Bulgarian National Radio.

It is not without pride that we recall that it was “Radio Bulgaria”* that was last year’s winner of the Grand Prize “Sirak Skitnik” – a statuette of Vezhdi Rashidov. The recognition was given to the daily foreign language podcast “Bulgaria Today” in 9 languages, which was restored in 2021. The programme in English, German, Russian, French, Spanish, Turkish, Greek, Serbian and Albanian is a unique product in the digital space with the variety of news, topics and Bulgarian music that represent Bulgaria as it is today.

“These podcasts can be heard from the polar base of our Antarctic explorers to the beaches of Cuba,” said the editor-in-chief of “Radio Bulgaria” Krasimir Martinov upon receiving the statuette. After professing pride in the stoicism of his colleagues, Martinov concluded by saying, “We’re moving forward!” And we did.

Over the past year, Radio Bulgaria has continued to develop and enrich itself.

We have acquired a new member in our media family – a Romanian language section and we have restored the audio programme in Bulgarian, which is available on our webpage every weekday at 7pm. Our efforts did not go unnoticed and the Radio Bulgaria team again received a nomination for its audio programme, the podcast “Bulgaria Today”, and for the coverage of the parliamentary elections in 2022 among Bulgarians abroad. With which we also express our gratitude to you, our listeners and interlocutors from all over the world, because once again we proved that together we are a good team called “Bulgaria”.

This year, the team of the Russian editorial team of “Radio Bulgaria” deservedly received a nomination for the “Sirak Skitnik” Grand Prize. 

Vilhelm Baltadjian, Snejana Nikiforova, Desislava Semkovska, Elena Paskalova

In the extremely difficult and unpredictable months of the war in Ukraine, Desislava Semkovska, Snezhana Nikiforova, Elena Paskalova, Maria Atanasova and Vilhelm Baltadzhian adhered to the main principle in their work – the most accurate, complete and fact-based content. They were available for help with translation, commentary or history of their colleagues from the various programmes of the BNR and managed to transmit verified information from both sides of the war.

“The nomination is a recognition that we collectively deserved, trying to inform our users as detailed, timely and at a high linguistic level as possible,” says Vilhelm Baltajyan, the “freshest addition” to the team of the Russian edition -“only” for 22 years now.

With a sense of humor in the serious workday, the official start of the Russian-language programmes on Radio Bulgaria began on April 1, 1995. Today, the Russian-language page of Radio Bulgaria is one of the most read on our website and the Russian-language podcast – one of the most listened-to audio products. “Our users are quite broad-minded and interested in a wide variety of topics and areas,” Vili explains.

“After all, we are “Radio Bulgaria” and our main task is to spread information about what is happening in Bulgaria, what a person, a foreigner, can expect when arriving here for a visit. We aim to be as detailed and comprehensive as possible on topics about everything that happens. And it attracts the attention of people from all over the world. ‎The language extends the scope of this information beyond specific ‎state boundaries.”‎

Our colleague, Radio Bulgaria’s music editor Albena Bezovska, has been nominated in the Radio Journalism category.

Albena Bezovska

For the past three decades, Albena’s professional path has been an integral part of Radio Bulgaria. A professional musician with a remarkable sense of music that translates the Bulgarian soul into all languages and continents. And the unique thing in the work of Radio Bulgaria, according to Albena, is the collective spirit and mutual help based on which we can offer the best we can to our audience. The nomination is an extremely emotional moment for her:

“First of all, it is extremely nice to receive recognition from your colleagues, because these are the people you have worked with every day, for years, and you know each other very well. I often made it difficult for my colleagues who translate the materials with musical terms or with hard-to-translate Bulgarian customs, rituals, names of ritual objects, but despite the difficulties, we have learned a lot from each other and it has always been very rewarding”.

And her wish to her professional family is simple and from the heart: ‎

“I would like to wish a lot of courage to all colleagues, because we have gone through many trials and are going beyond the creative nature of work. I want to wish them not to lose their taste, their joy of work, regardless of the sleepless nights and the numerous sacrifices that each of us has had to make and has to make in our personal life or in our personal time. And above all – let us all be healthy!”‎

The year 2023 marks the 140th anniversary of Sirak ‎Skitnik’s birth and the 80th anniversary of his death. The Bulgarian National Radio will mark the anniversaries with a series of initiatives and events, the first of which is the Sirak Skitnik Grand Prize award ceremony this evening. ‎

Read more about the history of Radio Bulgaria HERE.

*In its original form, Radio Bulgaria came to life on February 16, 1936. Since 1992, the BNR’s broadcasts for audiences abroad have been called “Radio Bulgaria”, and since May 2004, their team also maintains the multilingual page of BNR on the Internet. Today, Radio Bulgaria provides up-to-date news in text, pictures, and since last year also in sound, about the social and political life here, work and business opportunities, tourist trips and vacations, significant public, cultural and sports events and news from Bulgaria, of interest to a foreign audience, part of which are foreign citizens living in Bulgaria or visiting the country. Among the biggest fans of “Radio Bulgaria” are the Bulgarian communities abroad.‎




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